Monday, February 5, 2018
Meg Okura prepares the release of two new albums
Okura ushers in the Spring season with two new recordings: "NPO Trio Live at The Stone," the debut album from NPO Trio, which features Okura on violin, alongside Sam Newsome on soprano saxophone and Jean-Michel Pilc on piano, out Friday, March 15, and "IMA IMA," which features The Pan Asian Chamber Jazz Ensemble with Tom Harrell out Sunday, May 13.
While "Live at The Stone" introduces the impressive tightly-knit trio, who as a group weave through musical idioms of jazz and classical - from impressionism to minimalism, blues to free jazz, "IMA IMA" successfully blends the musical cultures of East and West for a new and exciting direction in modern jazz expression. With this highly-anticipated double release, Okura showcases both her truly versatile musicality. "IMA IMA" will be celebrated at Dizzy's Club Coca-Cola on August 20th.
Okura explains that she has always felt emotionally connected to Yiddish melodies. The melodies are always sad and happy at the same time (typically a minor melody with major chords), just like the Japanese expression of happy sad. Reminiscing upon her childhood, Okura recalls consoling herself by truly believing that, "...sadness is absolutely necessary for me to experience true happiness in the future. And everytime I hear Jewish songs, it reminds me of my childhood."
The entire concert at The Stone consisted of three extensive improvisational parts. The first part, which is 38 minutes in total, is divided into 6 shorter segments, each given individual titles for the purpose of this album. The melody often quoted during these first six tracks is a famous Yiddish song by Mark Warshawsky (1848-1907), "Oyfn Pripetchik". The song is about a rabbi teaching his children about the value of education and perseverance. It also mentions exodus, reminding us of the sacrifices made by our ancestors, which presents us with the freedom we have today. Track 7, "Unkind Gestures" is a shorter improvisation, which pays homage to John Coltrane's Giant Steps.
Meg Okura became an Ima (meaning mother in Hebrew) seven years ago, so along with being a tribute to Okura's grandmother, who recently passed away, it is only fitting that "IMA IMA" will be released on Mother's Day this year. Okura explains that although many refer to this period of time as an interruption, she prefers to regard it as a constant state of disruptions. "The earliest compositions on this album being the ones from my pregnancy period only support that claim. However, I do not believe motherhood has had a negative impact on my music."
Okura explains that disruptions forced her to think more creatively and resourcefully, and so inevitably made her music stronger. It inspired the Japanese native towards integrity, and excellence in her composition, improvisation and performance. Being anything other than the first-rate was not acceptable. "The last thing I wanted to do as a mother was to use motherhood as an excuse for not being able to achieve excellence."
Ima Ima -(L'dor Vador) by The Pan Asian Chamber Jazz Ensemble was supported by New Music USA, made possible by annual program support and/or endowment gifts from the Andrew W. Mellon Foundation, Mary Flagler Cary Charitable Trust, Rockefeller Brothers Fund, William and Flora Hewlett Foundation, Francis Goelet Charitable Lead Trusts, Anonymous. To follow the project as it unfolds, visit the project page:
MORE ABOUT MEG OKURA
Formerly a concert violinist, Okura made her U.S. solo debut at the Kennedy Center with the late Alexander Schneider's New York String Orchestra. She then moved to New York City and earned her bachelor's and master's degrees in classical violin from The Julliard School. Advancing her career as a jazz violinist while at the Henry Mancini Institute in Los Angeles, Okura was soloist and the concertmaster for the orchestra backing up Herbie Hancock, Shirley Horn, Diana Krall, and Terence Blanchard, under the batons of music icons as Quincy Jones, Jerry Goldsmith, and Jack Elliot.
Okura quickly became one of the most sought-after violinists on New York City's music scene, appearing on dozens of recordings with a wide range of artists including David Bowie, Lee Konitz, Diane Reeves, Heidi Grand-Murphy, Sam Newsome, Jesse Harris, Jeremy Pelt, Ziggy Marley and many more. She has toured internationally with the late Michael Brecker, Steve Swallow, Tom Harrell, appearing at venues such as Carnegie Hall, The Barbican, Madison Square Garden, Village Vanguard, Blue Note Tokyo, Hollywood Bowl and at numerous festivals and concert halls around the world. In 2016, Okura held a week-long residency at the Stone in New York City, performing and presenting 12 concerts with her 10 different groups.
Recipient of numerous grants and awards including Metlife Creative Connections Grant (Meet The Composer), Brand Personality Award (Asia Pacific Brands Foundation), Manhattan Community Arts Fund (Lower Manhattan Cultural Council), Jerome Composers Commissioning Program (American Composers Forum), and most recently, New Music USA Project Grant, Okura has also composed/ arranged for several film and television programs such as The Congregation (documentary) and Louie (TV series), as well as, the New York Symphonic Ensemble, Sirius String Quartet, and C. Eule Dance.
She has herself also appeared on many movie soundtracks as a violinist, and erhu player, has been featured in three Cirque du Soleil productions (Varekai, Wintuk and Corteo), and has collaborated and performed with Oscar nominee actor and Columbia recording artist Terrence Howard. For the past ten years, Okura has also been a member of a Jewish/Middle Eastern band "Pharaoh's Daughter" led by ex-orthodox singer-songwriter and cantor Basya Schechter.