May 24-26, 2010
8pm shows $20
10pm shows $12
Ron Carter is among the most original, prolific, and influential bassists in jazz. With more than 2,000 albums' performances to his credit, he worked with producer Arnaldo DeSouteiro in several projects. Mr. DeSouteiro also produced or supervised reissues of several albums and sessions on which Ron Carter took place in the 70s, when he became the house bassist for Creed Taylor's CTI and Kudu labels, reaching the pinnacle of his popularity "among and beyond" jazz fans.
In 1993 Ron Carter earned a Grammy award for Best Jazz Instrumental Group (the Miles Davis Tribute Band) and another Grammy in 1998 for "Call Sheet Blues," an instrumental composition from the film "Round Midnight." In addition to scoring and arranging music for many films, including some projects for Public Broadcasting System, Carter has composed music for A Gathering of Old Men, starring Lou Gosset Jr., The Passion of Beatrice directed by Bertrand Tavernier, and Blind Faith starring Courtney B. Vance. Carter shares his expertise in the series of books he authored, among which are Building Jazz Bass Lines and The Music of Ron Carter; the latter contains 130 of his published and recorded compositions.
Carter earned a bachelor of music degree from the Eastman School in Rochester and a master's degree in double bass from the Manhattan School of Music in New York City. He has also received two honorary doctorates, from the New England Conservatory of Music and the Manhattan School of Music, and was the 2002 recipient of the prestigious Hutchinson Award from the Eastman School at the University of Rochester. Most recently he was honored by the French Minister of Culture with France's premier cultural award--the medallion and title of Commander of the Order of Arts and Letters, given to those who have distinguished themselves in the domain of artistic or literary creation and for their contribution to the spread of arts and letters in France and the world.
Carter has lectured, conducted, and performed at clinics and master classes, instructing jazz ensembles and teaching the business of music at numerous universities. He was Artistic Director of the Thelonious Monk Institute of Jazz Studies while it was located in Boston and, after 18 years on the faculty of the Music Department of The City College of New York, he is now Distinguished Professor Emeritus although, as a performer, he remains as active as ever.